
This was my last wedding assignment in September, for my cousin E. She'd graciously accepted my offer to help with her flowers and entrusted me with her coral and cream theme. E. is a really sweet, good soul and I wanted to reflect that in the design, using soft, petally flowers like peonies, which she had requested, tulips, carnations, eustomias and the tips of temperate flowers like foxgloves. Coincidentally, it also matched her tiered, gauzy ballgown skirt- she looked like a tall, graceful swan on her wedding day!

This picture is more accurate to the colour of the flowers. E. had sent me a brief months and months in advance of her wedding, specifying colours like coral, pale pinks, beige, creams and gold. One of my best memories of her wedding is the night before, her younger sisters picked away at flowers while E. hopped on and off the phone, then later on, eating dinner and laughing together. Her mom said it reminded her of when we were both just children and made her feel like crying with happiness and sadness at the same time. One thing I realize about doing flowers the night before- I was so happy with how her bouquet was a tight, round and perfectly symmetrical posy. Alas, by the next morning, the blooms had grown even larger and this pushed out the shape of my nice posy into a slightly messier, though probably more natural bouquet!

E. specified that her bouquet was to be more coral but the bridesmaids, who she'd dressed in long chiffon coral dresses, were to have bouquets that were more cream-white. With the leftover corals, beiges and whites, as well as some pale coral, small calla lilies, we made boutennieres for all the men and ushers. I hadn't seen the bridesmaid dresses till the day itself but coincidentally, the coral tulips and roses were exactly the same shade.

When we went to pick out flowers, there were some very Kate Spade-ish parrot tulips in striped green and white, which she also liked and authorised for inclusion if they were available (which they weren't on the day itself) so the bouquet could actually have been really punchy, with rose reds and those tulip green and whites. Instead, I kept to the original, softer, more feminine colour scheme the whole way through and added some dusty miller and translucent red juniper berries to soften out the tight bunches of flowers. The flowers would also have gone well with green succulents.

At the last minute, I saw stalks of these curly-wurly ferns (I'm not sure what they are called but I know they are tropical) and added those for some dimension. Those were really the only "hard" element in the bouquet, which I think was very different to flowers that I've made in the past. This had less leaves, was distinctly less wild and less dark (didn't have the blood-dark hydrangeas, large and black-berries of past work- despite the dark-looking photograph here, which I think was partly because of the shadow tint). The berries were all tiny and many flowers were small, with none really dominating.

Generally, this was more summery, polished and wrapped with the braided tan leather ribbon and white lace, was very suited I think, to E's personality. I also think that I'd been looking at so many coral inspirations lately that I was very into large David Austen roses, whirly soft eustomias, ripe juicy peaches, taupe velvet ribbons- you get the idea, not a burning fall or wintry spring anywhere in sight. She married my new cousin YW and is moving to be with him in Australia, where I just know she's going to be the world's best wife and mother. Congratulations!
*All photo credit to Eng Hong of 39East Photography